The following piece is cross-posted here. As it argues, Twilight is a rampantly heteronormative series. Yet, given its concurrent rampant popularity, why not seize the opportunity to consider the ways the Twilight cultural phenomonon can be used to furtheer discussion about gender, sexuality, racism, classism, etc? This is the aim of my forthcomign book, Seduced by Twilght (which, by the way, I just secured an agent for yesterday — woo-hooo!)
Ah, more proof that the U.S. is still a homophobic nation. Just what we don’t need. Maine’s rejection of a same sex marriage law earlier this week means that attempts to legalize gay marriage have now been shot down in 31 states. As such, I thought it fitting to post a few thoughts about heteronomativity, homophobia, and Twilight.
Poking around Google, I found almost no posts that consider the heteronormativity of the series. One exception is Emily Rutherford’s “Heteteronormativity, Again; or, the Experience of Reading Twilight.” As Rutherford writes, “…there is no homosexuality in Twilight. Despite the obvious ambiguity of Edward’s sexual appeal, there are no gay couples in Forks, WA. There are no explicitly gay vampires. Bella herself doesn’t experience same-sex attraction.” As she further argues, “For all that it confuses clear-cut sexualities; for all that it builds upon and complicates our traditional notion of the innocent love story, it is still profoundly and aggressively heteronormative.”
As for the widespread heteronormativity the book upholds, all characters are represented as heterosexual and hetero-monogamous marriage is presented as ideal. Amongst other types of diversity depicted in the series – race, class, age, (dis)ability – there is not one single non-hetero character nor even a nod to the fact that not everyone on the planet is hetero. Given that Meyer’s is Mormon, a belief system that is notoriously heteronormative, it is hardly surprising that heterosexuality is represented as the unquestioned norm.
In addition to the series’ seething heteronormativity, the practice of buying the books and related products results in profits for those institutions that want to bolster heterosexism. Profits from the series are funneled to the Mormon church through the practice of tithing – such funds are used in various ways, but one of them is to prevent same sex marriage laws from passing (as with California’s prop 8). Here are some relevant portions of a piece I wrote on this topic:
Meyer has on multiple occasions stated that, in accordance with her Mormon belief, 10% of all her profits for all things Twilight go to the Mormon church. (See, for example, The Advocate).
While she has not made any public statement regarding Prop 8, her tithing to the church supports institutionalizing discrimination against those who are not heterosexual. By extension, a percentage of the multi-billion dollar Twilight industry went towards the Mormon Church, an institution that played a huge funding role in initially getting Prop 8 on the ballot, and then kept the funding in plentiful supply in order to grow support for the Yes on 8 camp. The success of this campaign, which relied on dollars and dogma, would not have been possible without the big money that came from the Mormon Church and other religious donors.
Meyer’s silence about the issue of homophobia in her church in general, and Prop 8 in particular, comes across as deafeningly loud –it speaks volumes, showing support for discrimination via economic buttressing of an institution that helped California, the state I live in, to etch inequality into law. So much for the sunshine state – so much for dazzling, sensitive vampires…Guess it’s ok for a lion to love a lamb, but not for a man to love another man.
Unfortunately, such homophobia does not only exist in the USA, but plagues the globe. As evidenced by a Twi Crack Addict piece posted last week, Wales is one such place. The piece, “Wolfpack Poster Removed from South Wales Cinema for being Homoerotic,” reports that a theatre in Cwmbran, South Wales, removed the wolfpack poster because it was “too homoerotic.” Given the rampant heteronormativity of the series, this accusation seems a bit ironic, especially given that the wolf characters are the only ones to give voice to their homophobia in the texts.
For example, in Breaking Dawn when Quil says to Jacob “I don’t notice girls anymore,” Jacob jokes ““Put that together with the tiara and makeup, and maybe Claire will have a different kind of competition to worry about.” Here, Jacob insinuates that Quil’s tiara-wearing antics might lead to some non-hetero ‘competition.’ Quil laughs in response, making kissing noises at Jacob and asking, “You available this Friday, Jacob?” Ah yes, homosexuality is SO FUNNY – especially in a book that presents heterosexuality as the ONLY option with a message that screams “Be hetero! Get married and have babies!”
In Breaking Dawn Leah also teases Jacob about his heartfelt goodbye to Quil, snickering “Thought you were going to make out with him.” Yeah, cuz it’s so homo-esque for a male to care about his guy friends. Leah might as well have said, “Hey, wolf boy, grow some hetero balls and put your focus where it should be – on the ladies!”
The inclusion of various homophobic sentiments from the Native American characters seems to go above and beyond Meyer’s staying true to her Mormon roots into the territory of actually mocking and deriding homosexuality. Further, the fact that the Quileute characters are the only characters to voice their homophobia is ironic given that native culture is historically far more accepting of diverse expressions of gender and sexuality. Such sentiments would be far more realistic out of the mouths of Meyer’s demi-god Mormon-esque vampires.
I am wondering if the above poster would have been removed if it featured shirtless white men instead — if it depicted the Carlisle, Edward, Jasper, Emmett pack? (Who are of course not referred to as a pack – think about the racial implications of that!) I would venture a guess that the poster would be less likely to be accused of homoeroticism if those pictured were white – partly because hegemonic, normative masculinity is linked to whiteness, and partly because (due to a global system of racism) it’s easier (and more common) to discriminate against non-white men.
The ubiquitous shirt-lessness of the “wolf pack” (written about in my earlier post here) is linked to this notion of hegemonic masculinity and whiteness. White males, more often associated with mental activities and acumen, are often less sexualized (as explored by scholars such as Jackson Katz). Raced, or non-white men, and working class men, are more associated with their bodies and bodily activities. The fact that the male Quileute, as both raced and working class, are often depicted without clothes accords to this sexualization of males who are deemed as “lesser” – either due to race or class. Yes, I know they “run hot” in the books because of their wolf identity, but this alone does not explain why all the actors portraying them are photographed shirtless far more often than their white actor counterparts…
Finally, the removal of this poster due to its “homoerotic” message is ridiculous and repugnant. It smacks not only of homophobia, but of sexism (if those pictured were half naked women, there would not be a problem) and racism (speaking to the fear of the “Other” and of women or men finding raced Others attractive). As you go about being repeatedly seduced by the series and its offshoots, I hope you will once in awhile pause and think about these more troubling aspects. By voicing our discontent about those aspects of the book, the fandom, and the franchise that trouble us, we can bring homophobia (and other discriminatory ideologies) out of the closet. And, by discussing such regulatory ideals often and vociferously we can bring some progressive sparkle to the Twilight table.
This is partly my intent with the parodies from Twi Kids Trio – many who wrote to me thus far about the first skit noted their favorite scene was Jacob sitting on Edward’s lap (and, by the way, if you watch the skit, please leave comments or feedback on You Tube!). Future parodies will continue to mock the cult of masculinity and nod to the latent homoeroticism that heteronormativity attempts to deny. As per the theories of Eve Kosofsky Sedgwick, homoerotic elements pervade the majority of literary texts. They may be deeply hidden and denied in Twilight, but often that which is most strenuously resisted is also ardently, if shamefully, desired. Don’t know about you, but I find it quite fascinating to ponder a queer version of Twilight… doing so makes the hand-holding abstinence and virginal purity message seem all the more antiquated, and, yes, discriminatory.